is the Swedish author of six novels. Formerly an economist her
first novel The Ice Princess won the International Grand Prix de
Litterature Policiere in 2008. She has also been awarded the People’s
Literature Award in 2006 and SKTF Prize for Author of the Year
(Swedish Writer of the year) in 2005. Her books have sold over 1.5 million
copies. She joins the ever-increasing circle of Scandinavian authors whose
works are being translated into English.
For those who do not know much about you could you please give us a bit of
I was born in Fjällbacka in 1974.
I have always
dreamed about becoming a writer, but thought that it wasn’t possible, so I went
to business university instead.
Have you always wanted to write?
In 1999 I was given the greatest Christmas gift ever – a course in writing – and
the course was called How to write crime. So I started writing my first
book The Ice Princess during that course.
What were you looking for as a novelist that made crime fiction so attractive?
I have always hade a passion for crime fiction. There’s something with the
darkness in human nature that appeals to me. And I actually wrote my very first
book as a four year-old (I drew pictures and made my father write the text for
me.) And the book was about Santa and his wife. It starts very nicely; Santa and
his wife are smiling happily, holding hands then four pages later things have
gone very wrong and Santa’s wife is lying on the ground, beaten to death, with
blood flowing from her beneath her Santa hat.
Why do you feel that Scandinavian crime fiction has become so popular and is now
being translated so widely?
We have a proud tradition of crime writing which has raised the quality to a
very high level. My personal theory is that it started with Sjöwall & Wahlöö’s
books and that they set the bar really high.
Your first novel, The
Ice Princess introduced amongst others the characters Detective Patrik
Hedström, author Erica Falck and Police Chief Bertil Mellberg had you intended
to write a series?
I love reading series myself and to be able to follow how the main characters
evolve through the books – one of my favourites is Elizabeth George’s books
where you can follow what happens to Lord Linley, Lady Helen, and Barbara
Havers. So yes, I knew that I wanted a series to develop my characters.
Can you tell us a bit about the characters that you created? Are they based on
people that you know?
Erica wasn’t supposed to be based on me, but it has kind of turned out that way,
even though we’re not identical. And Patrik is actually based on my ex-husband.
And since that is widely known in Sweden, I got a lot of worried e-mails from
readers when my divorce became known, because they were worried that Erica and
Patrik would be divorced as well.
What makes a character real for you? Must you work out everything about them or
do you just let it flow?
I usually get a character quite instantly in my head, so they’re always quite
clear to me from the get go.
Plot or character? Which do you think is more important in your writing and
I can’t grade between
them. I think a good plot is a minimum requirement, but what makes a book really
take off are great characters.
The Ice Princess was the Silver Pocket Winner at Guldpocketgalan
in 2005, which is a prestigious annual Swedish book award ceremony. Were you
surprised at the win?
Yes I was very much. The Ice Princess kind of sky rocketed to success,
and I had not dared hoping for anything near that.
There is always a great sense of place in your books, they are very atmospheric
and you appear to have turned your attention specifically on the community that
you have created and its secrets. Was this intentional?
On the writing course that got me started, we got the advice to write about what
we knew best – and there’s no place I know as well as
Fjällbacka, where I
The series is set in
has the success of your books had an effect on the way in which you know look at
your hometown? What about yourself?
I am very proud of the way my hometown have embraced the books – they are even
doing guided tours in
now about the
books! And I love being able to write about my hometown, but I don’t think I
could have written about
if I still lived
there – I need the perspective of living somewhere else.
In the Ice Princess and again in The Preacher, evil and death are
an essential part of the story. Are they subjects that you are particularly
Yes I am very interested in the dynamics of evil and what evil is. Is it
something we are born with or something that we learn as we grow up?
What was the impetus for the story in The Preacher?
I have always been very interested in religion, and how through history it has
been used for both good and bad purposes. I wanted to write about when religion
is intended for good – but ends up being evil.
Preacher was nominated in the category; “Best Swedish Crime Novel 2004”
by the Swedish Crime Novel Academy. Do you feel being nominated for awards
increases the pressure on you when it comes to your writing?
Maybe I’m naive but I don’t think about prizes or sale figures when I write – or
about the literary critics for that matter. I write only for one reader: myself,
and always try to write the best I can.
Your third book The Stonecutter was also nominated for Best Swedish
Crime Novel in 2005 and you also won the award for Swedish novelist of the
year as well.
Yes I am very fortunate that the Swedish readers early on fell in love with my
books. They have showed that love through awards like the ones you mention. I
am deeply grateful for that.
Both the earlier novels have been made into movies for television TV-series,
produced by the Swedish Television and I understand that The Stonecutter
is in post-production. Were you satisfied by the way in which they were made?
Did they capture the essence of your stories?
Swedish television is extremely good at these kind of dramatizations and also
have a lot of experience in the field. So I think they did a great job, and for
example the actors they chose were absolutely perfect!
It has been said that the crimes in the best of Scandinavian crime fiction, by
and large, tend to focus more on the effect of crime on communities than on
gory, sensationalist murders and the thrill of the chase. Do you agree that this
is the case?
Yes, the gore isn’t what’s interesting – it’s more interesting with the effect
murder has on individuals and the community.
How would you describe your books to someone who is about to read them for the
I write in the
tradition of “a nice little murder.” It’s quite traditional in many ways since I
love the classic way of writing crime stories. But I focus a lot on the
characters and the psychology of the people involved. And what has been the
greatest success factor of my books is that I tell a story of ordinary people, -
caught up in an extraordinary situation.
Who were your influences
when you decided to start writing in general? Do other books still influence
your writing and if so, what other types of writing are you attracted to?
My first love
for crime stories started with Agatha Christie. I believe she is the true queen
of crime stories. And after that I have always had a bit of extra love for the
English crime storytellers – Val McDermid, Peter Robinson, Reginald hill, etc.
Were you a big reader of crime fiction before you started writing and if so can
you remember the very first crime novel you read?
I started reading
crime stories very, very early and as I said, Agatha Christie was a favourite.
And I think “Death on the Nile” was the first book I read by her.
Is there a crime novel that you wish that you had written?
Yes, I do wish I had written The Secret History by Donna Tartt. I think
Do you still find time to read?
Since I had the kids I don’t have as much time to spend reading, but I would
still say I read more than the average person. Reading to me is like breathing –
I can’t live without it.
What’s your work schedule
I drive my
children to school and kindergarten around nine. Then I come home, have
breakfast, and start writing around ten. I write, only with break for lunch,
until four, when I pick up the kids again.
What do you enjoy doing
when you are not writing?
cooking, meeting friends and watching movies.
What do you find the most difficult when you are writing?
Discipline. I am not a very disciplined person and I always struggle with that.
Do you miss the world of
economics and have you managed to bring any of your experience as an economist
to your fiction writing?
I don’t miss it
a bit but I still am very grateful for my education and work experience within
economics, because it’s been of a lot of use for me in my career as a writer as
Would you consider writing
a non-series novel?
Maybe in the future,
but I only plan one book ahead at a time.
I understand that you have had a cookbook published called Flavours from
What made you
decide to do this as it is a bit of a departure from writing crime fiction?
I love cooking, and
since I have a friend from
who is also one of
Sweden’s best chefs – we thought it would be wonderful to do a cookbook
together, set in
What are you working on at
I’m writing my seventh
book in the series about Erica and Patrik.
Books written by Camilla
The Ice Princess
(Isprinsessan) Published Harper Feb 2009
Published Harper Pbk Feb 2009
(Stenhuggaren) Published Harper Collins August 2009
The German Brat